lostianvs: AI-generated forest river. (Default)
Cultivating Mystery

Dead Tree

Not every operation is a success. There's a difference between learning about a concept and first-hand experience. I think this can be said without much controversy. It may even sound trite. But even if this statement could be accepted as universal fact, that doesn't explain how learning through experience substantially differs from rote memorization, nor the magical implications of practical work. What is "Experience" actually doing to us?

Magical practice can attract the attention of different types of spirits. These can include a variety of potential teachers, patrons, clients, benefactors, and homeless layabouts. A particular spirit of an "elemental" nature approached me with an offer to instruct. At the time, I was exploring different elemental modalities. I had no particular reason to be suspicious, but I wanted some guarantee of safety. This caused me to inadvertently abandon my normal way of relating to spirits; to my detriment.

Sometime before my first encounter with this spirit, I obtained three pretty pieces of jasper from a chintzy metaphysical shop. I had no particular use for these stones. I just thought they were pretty. Nonetheless, I wanted to employ them in some way. After this spirit approached me, I thought I could use these cheap pieces of trash to make some kind of "Triangle of Manifestation" in which to conjure the spirit. Was it my imagination or did the spirit roll its eyes?

The arrangement involved the three stones set in a triangle. Inside the triangle I set a glass dish on top of some black felt. I would fill the dish with water and use it as a scrying device/ham radio. I actually had some success using the setup for basic divination and remote viewing. However, things started to fall apart when I started designing a method to pull this spirit through the looking glass.

Unassisted readings just failed to reveal a method to conjure this spirit, so I resorted to tarot cards. My first tarot reading indicated that with much effort I could develop/download a very ceremonial method of spirit evocation using this setup, but that it would ultimately end in failure. So, I switched decks. The second reading using a different deck gave me the exact same answer, down to the last card drawn. The spirit was unimpressed. Sometimes I hate being a witch.

The message became clear. I was to approach this spirit the same way that I've approached dozens of spirits in this life. I may be able to employ ceremonial approaches that drag in spirits kicking and screaming, but apparently that would be cheating (for me). The methods of conjuration I employ have always involved a physical journey. It seems I'm meant to perfect this method. I benefit by committing to more intuitive techniques that require a sense of adventure and the cultivation of Mystery.

Ianvs

Nymphaion

Feb. 9th, 2024 01:34 pm
lostianvs: AI-generated forest river. (Default)
Nymphaion

cave

I sometimes draw inspiration for magical work from classical literature. In Book 13 of the Iliad (How Odysseus Came to Ithaca), Homer describes a cave in the harbor of Phorcys at the island of Ithaca. This cave is sacred to the water nymphs known as Naiads. There actually exists a "Cave of the Nymphs" in Ithaca, also called "Marmarospilia." However, I was more interested in some of the esoteric hints that can be found in this passage.

The first hint regards timing, as Homer describes when the sailors transporting Odysseus arrive at the harbor. Note that Odysseus is also asleep.

When the brightest stars rose, which comes to tell us that the dawn is near...
 
The next part details some qualities of the sacred space:

At the head of this harbor is an olive tree covered with its long leaves, and near the tree is a beautiful dusky cave, sacred to the nymphs who are called Naiads. In the cave are great bowls (kraters) and two-handled jars of stone (amphoras), and in these the bees hive their honey. There are also tall poles of stone like the beams of a loom, where the nymphs weave webs of sea-purple wonderful to behold; there are springs of water never dry. It has two doors; one turned to the north, by which mortal men may descend; one on the south, meant rather for gods, by which men do not enter, but this is the road of the immortals.

The brightest star at dawn is Venus, the morning star. The olive tree is a symbol of Athena. The proximity to a spring of nymphs calls to mind the fate of Tiresias who was struck blind by a bathing Athena. The presence of honey may allude to Ambrosia, the nectar of the gods. The "sea-purple" cloth may allude to Tyrian purple, a dye made from the secretions of sea snails. Lastly, we see that mortals enter from the north and descend into the cave. Gods and immortals enter from the south, perhaps from a smaller hole in the southern ceiling like the cave in modern-day Ithaca.

Materials

I often use my home shower as part of a regular healing practice. As time has passed, my shower and bathtub have become imbued with the natural healing energies of water. Perhaps I could boost the efficacy of this effect by introducing a little Naiad magic. The first task I set myself was to find a Naiad and barter for a some power. Luckily, I knew where some Naiads might be hanging around.

As alluded to by the passage in the Odyssey, this operation is essentially Venusian. This meant that I'd be better off with minimal planning and let Intuition and Desire lead the way. Whatever I was making needed to have some way to "turn on" and "turn off" to avoid attracting errant deities (and incidental blindness). The entrance to my bathroom is coincidentally on the north side, though I didn't think the direction mattered much in this case. Nothing about the passage indicated to me that anything special need be done with the Anemoi. The more important point was that I was building a "door" for "immortals," specifically.

In terms of power sources, honey and something purple seemed appropriate. I was unlikely to find sea snails, but perhaps a visit to the beach would yield some purple shells. I'd also collect something from a Spring adjacent to a Lunar temple. However, as I was on my way to the nexus I had a sudden desire to stop by a thrift shop. While looking through the shelves of knickknacks, I found a decorative ceramic oil warmer and a bottle of purple shells! The oil warmer wasn't quite a krater, but it was bowl shaped. Adding a candle would be a convenient way to switch it off and on.

We had had several days of rain, so I knew the Spring would be flowing. The river flowing through the nexus was fat and treacherous. This meant reaching the Venusian temple, which required fording the river, was untenable. Luckily, the Lunar temple was more accessible. We were just passed the Full Moon and this was still evident upon reaching the Lunar temple. The entire area was noticeably colder and wrapped in a persistent breeze that seemed to blow from nowhere despite being among dense forest.

As expected, I found the Spring past the Lunar temple was flowing steadily. Water flowed from a small perch at the top of a 20 foot cliff where it formed a small pool from which it flowed along the valley floor into the main river. Alas, it occurred to me upon first approach that I had nothing to barter. I immediately knew I should have brought my recently acquired shells. I headed back to the trailhead, sorted out seven of the best looking purple shells and returned to the Spring. Such is the nature of a Venusian quest.

I began this part by greeting the Spring and waiting for a sign that I was okay to approach. When I reached the pool, I found a small flat stone sitting under the delicate waterfall formed by the flowing Spring. I instinctively knew to place what I had to barter on the stone. I set the shells on the stone and waited for an indication of acceptance. After a few minutes, the water landing on the stone knocked each of the shells off and into the pool, one-by-one. I got the sense that these shells were of sufficient quality for the Naiad to spin her web. Finally, I received a message to collect a certain amount of the Spring water. Strangely, despite flowing from the same physical source, this batch of water was noticeably different from the Lunar water I've collected here in the past. The water was heavy and smelled deeply of the Earth.

Construction

Laying a path from my bathroom to the Spring involved consecrating the oil warmer in much the same way as I prepare other talismans. In this case, I adapted the method to use the elemental energies harvested from the honey, shells, and Naiad water (dew). I facilitated this transfer using a sigil of Oceanus. I also wrote a short charm, taking inspiration from the Orphic Hymn to the Nymphs.

With this libation of dew and honey, I open a secret path to the damp cave where the daughter of great-hearted Okeanos dwells. Let the pure and nurturing waters of your spring flow swiftly from the Earth. Clothe this temple with your healing dew for as long as this light shines.

To activate the connection, I lit the candle, placed a shell in the bowl of the oil warmer, and spoke the words, "The path is open." I guided the energies of the sacrificial shell to the shells left at the Spring in the nexus. This forged a path between the locations for power to flow. As the "dew" from the Spring condensed in my bathroom "temple", I used it to reinforce my normal healing practice. After my shower, I closed the connection and spoke, "The path is closed." and extinguished the light.

Ianvs
lostianvs: AI-generated forest river. (Default)
Greeting the Seasons

Apples

I experimented with the neo-pagan practice of "Turning the Wheel" early in my magical career. It's unfortunate that modern interpretations of these practices often take the form of a strange mishmash of solar, fertility, harvest, and incestuous rites. I've found a simple and focused approach is more suitable to my personal practice. I omit the direct appeals to the solar and fertility aspects of seasonal rites and instead focus solely on timing.

The intention of these year-long rituals is to greet the Seasons as they arrive and use their presence to calibrate and re-balance my home. I generally don't bother with excessive warding or blanket protection rituals. I've found this practice alone can go a long way to prevent energetic blockages and help one's home fade into the background (avoiding notice). I've also found this practice useful for personal cultivation. At one time I really disliked the Winter. I had an awful time getting along in the cold and darkness. However, this practice has helped me come to terms with the facets of my personality that prevented me from enjoying the Winter like any other Season.

The focal point for these rituals is a buffet cabinet where I display seasonal decorations. These decorations might include cut seasonal flowers, stones, candles, knickknacks, or miniature Christmas trees. The display is often a mix of found, gifted, and crafted items. In effect, this area is an altar to the Seasons. I mark the initiation of each Season with a very simple ritual. I light a candle or burn some incense and say something like:

Spirits of <Season>,
Greetings and salutations,
I acknowledge your presence in all of Nature.

 
This greeting may also be accompanied by a gesture of greeting. I wait in front of the altar until I feel the seasonal energies start to flow into the house, displacing the stale and stagnant energies of the out-going Season. I leave the candle or incense to burn as long as necessary.

The timing of these rites will change with my location. I first determine my local average growing season. For example, if I were in Greenville, MS (USA) then I would consider the day after the last spring frost as Mid-Spring. The first fall frost would be Mid-Autumn. I would then use these dates and a tool like the average calendar date to find the midpoint between each season. For example, Mid-Summer is halfway between Mid-Spring and Mid-Autumn; Early Summer is halfway between Mid-Spring and Mid-Summer. The table below shows the typical neo-pagan holidays, the associated name of the initiating Season that I use and a comparison of how dates can differ if you pin them to the local growing season. Note that unlike the original Wheel, the dates I use for the season are flexible. Frost dates are averages that change year to year. The day I acknowledge the season is usually around the dates given below, but could vary by 2 weeks or more.
 
 Neo-Pagan Season Original Greenville, MSGreat Falls, MT
 Ostara Mid-Spring Mar 20 Mar 22 May 12
 Beltane Early Summer May 1 May 18 Jun 15
 Litha Mid-Summer Jun 21 Jul 15 Jul 19
 Lughnasadh Early Autumn Aug 1 Sep 11 Aug 22
 Mabon Mid-Autumn Sep 22 Nov 9 Sep 25
 Samhain Early Winter Oct 31 Dec 12 Nov 21
 Yule Mid-Winter Dec 20 Jan 14 Jan 17
 Imbolc Early Spring Feb 1 Feb 16 Mar 15

Ianvs
lostianvs: AI-generated forest river. (Default)
Planetary Circulation

Buddha

This is an extension of my Elemental Circulation practice, but with a focus on celestial energies. As with the elemental version, the flow described is based on my personal system of Earthbound Astrology. I've found this practice works well with more "lunar" methods like qigong or focused breathing. Many times, I actually engage with this circulation while sitting or even lying down. Much like the realm where these energies reside, the flow is a bit more abstract and internal.

Flow

I find myself sitting in complete darkness. I am still, inert, and balanced.

A soft silverly glow begins to emerge from under a distant horizon. It's not enough to illuminate the space, but is enough to draw my attention.

As I inhale, I feel the light pour into my chest. I feel a slow emotional pressure build. It could be anxiety or sadness or joy. I except whatever it is.

Suddenly, a chain reaction emanates from my heart. I see a transparent schematic of my veins and nerves, the roads of my body.

The pressure in my chest flows out along these roads and warms my hole body. My skin glows red hot, then white. I shine with a blinding light.

The light and warmth grow in intensity. I feel my body burn away. Without fuel for the fire, the light dies down. The embers scatter and cool. I return to darkness.

Compared to the previous conflagration, the darkness is cool, inert, and peaceful. I am content.

Ianvs

lostianvs: AI-generated forest river. (Default)
Elemental Circulation

Tai Chi

I've successfully used this method as part of a yoga "Sun Salutation," a qigong "Eight Brocades," and taekwondo taegeuk practice. The effects slightly differ with each form of practice, with taegeuk feeling more "solar," qigong feeling more "lunar,", and yoga falling somewhere in between. The point of this practice is to spur my mind and body into awareness of the four elements of creation, restore my personal elemental balance, increase my sensitivity to elemental forces, and enhance general magical capacity. I have found this method of daily practice preferable to other methods of daily "cleansing" which often feel like the energetic equivalent of dousing oneself in bleach. I suspect this method will work with any system of forms involving synchronization of movement with breath.

The entire flow involves 5 steps each with an inhalation and an exhalation synchronized with yoga, qigong, or pumsae. I've also performed the flow as a sitting meditation with natural breathing before bed or if I was injured. The flow is circular from Earth to Water to Air to Fire and back to Earth as noted in this post about Earthbound Astrology. When I first started experimenting with this practice, I had trouble "pushing" through Fire to get back to Earth. In this case, I adopted a cyclical pattern where once I got to Fire I backtracked "down" through Air then Water then back to Earth. For daily practice, I always start and end with Earth, though "resting" in one of the active elements can be a source of power or fuel for spells.

Flow

I begin in Earth. I'm barefoot with my feet in contact with the forest floor. As I inhale, I feel myself calm and my body relax. I take note of my senses, the light filtering in through the canopy, the cool dew forming on my skin, and the earthy smell of peat and tree bark. As I exhale, the sensations bleed away and become transparent, revealing a crystalline structure under the forest. It's as if the world and everything in it is supported by a thin mesh or scaffolding. This stable structure is Earth.

As I inhale, the stable structure melts away, once again covered by forest. I see a doe tending to her fawn. A warmth swells in my chest. I surrender to the doe's emotions and partake in love, joy, and contentment. As I exhale, I continue to ride the turbulent currents of emotion as the doe grows old and dies. I wallow in the sadness, anger, hatred, and loneliness of the fawn. I am swept away by Water.

As I inhale, more time passes, I heal, and detach from the fawn's emotions. The scene plays out over and over again with each new generation bearing young and dying. My awareness expands. I see the Earth spin on its axis and circle the Sun which orbits the galactic center. Clusters of galaxies expand to cosmic filaments. As I exhale, the filaments pulse and creep like blood through my veins. My red blood cells die, regenerate, and recycle. My lungs carry Air to my cells and return Air to the environment. I am Air.

A sensible heat warms my lungs as I inhale. I see the world in infrared. This heat came from the Sun. The Sun was born from a nebula, a circling cloud of dust and gas first set into motion by heat and light at the conception of the Universe. As I exhale, I follow that initial burst of light as it cascades across time and space. This burst of light solidifies into matter. The matter forms a nebula where our Sun is born and through it that original primordial light heats the Earth. I radiate that Fire still.

As I inhale, the forest come back into focus. I feel the Earth between my toes. As before, I attend to my senses. As I exhale, I feel the primordial Fire emanating from my body cool to embers. A gentle breeze caresses my dewy skin. I am calm and relaxed.

Ianvs

Inspiration
Agrippa, C., & Purdue, E. (2021). Three books of occult philosophy. Inner Traditions.
Bardon, F. (2009). Initiation into hermetics : the path of the true adept. Merkur.
Miller, K. (2019). Subtle Energy. Turtles & Crows.
Wu, Z., (2011). Chinese shamanic cosmic orbit qigong : esoteric talismans, mantras, and mudras in healing and inner cultivation. Singing Dragon/Jessica Kingsley Publishers.
lostianvs: AI-generated forest river. (Default)
Healing Charm

Waterfall

My journey through the thick overgrown forest was tough. The heat of the midday sun has left me drained and soaked with sweat. Each additional step upon my path is harder than the last. The pain of fatigue and feverish malaise signals an oncoming illness that threatens to arrest my progress. I need sustenance to finish this journey.

The sound of trickling water peeks my interest. I follow the sound to a small pond surrounded by smooth moss covered stones. The pond is fed by a modest waterfall. As if by instinct, I find myself drawn to the pond where I disrobe and submerse my body. The flow of water carries away the dirt and grime that I've accumulated on my journey and passes it to a small creek opposite the waterfall.

Once clean, I approach the waterfall and allow the waters to flow over my head and body. My skin burns under the constant flow of fresh water. I extend my hands over the water and feel compelled to speak.

Bones of the Earth,
Blood of the Sea,
Breath of the Sky.

Release the power of this spring to
Restore, Rejuvenate, and Relax.

Let these water wash away all infirmity.

As I speak the charm, I become more aware of the chain of ancestry linking my body to the natural forces around me. The minerals in my bones resonate with the Earth. The water in my blood churns with the Sea. The air in my lungs flows and expands with the Sky. My body and the waters of this pond are siblings of three parents.

Just as my body has the innate capacity to heal itself, so to do the waters of this pond. The waters respond to my charm, taking on a subtle glow under the filtered light of the forest canopy. I allow my body to become receptive to this glow. I feel the tension in my body fade away, the pain in my joints and ligaments subsides, and a peaceful calm sets my mind to rest.

Eventually, the burning sensation on my skin gives way to cooling. The cool waters gird and solidify my new found health. The forces unleashed from the waters dim and return to normal. I pay my respects to the pond for its assistance, assemble my effects, and return to my journey.

Ianvs

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